Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Front view thumbnail
Dominique Field - 2004 - No. 165 - Full view thumbnail
Dominique Field - 2004 - No. 165 - Full view thumbnail
Dominique Field - 2004 - No. 165 - Back and sides thumbnail
Dominique Field - 2004 - No. 165 - Back and sides thumbnail
Dominique Field - 2004 - No. 165 - Back and sides thumbnail
Dominique Field - 2004 - No. 165 - Back and sides thumbnail
Dominique Field - 2004 - No. 165 - Back and sides thumbnail
Dominique Field - 2004 - No. 165 - Back and sides thumbnail
Dominique Field - 2004 - No. 165 - Neck and tuner thumbnail
Dominique Field - 2004 - No. 165 - Neck and tuner thumbnail
Dominique Field - 2004 - No. 165 - Neck and tuner thumbnail
Dominique Field - 2004 - No. 165 - Certificate thumbnail
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Dominique Field - 2004 - No. 165

Dominique Field - 2004 - No. 165

Details

Luthier:  Dominique Field
Construction Year: 2004
Top: Spruce
Back and Sides: Madagascar rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: G / G #
Scale (mm): 650
Weight (g): 1655
Tuner: Rodgers
Strings: Knobloch - EDC 34.0
Condition: Very good
Case: Hiscox Pro II “Siccas Edition”

Overview

This 2004 concert guitar by Dominique Field is a superb example of French lutherie at its highest level, combining refined craftsmanship with tonal sophistication. Built with a spruce top and beautifully figured Madagascar rosewood back and sides, it offers rich, focused basses, lyrical and sweet trebles, and a wide palette of expressive colors. The trebles respond with clarity and elasticity, enhancing both projection and playability. Its structure features internally ribbed sides for added stability and excellent projection, along with a bracing system reminiscent of a simplified Fleta design, balancing strength and lightness. In excellent condition, with only a minor and purely cosmetic separation near the fingerboard, this instrument embodies Field’s artistry and stands as an ideal choice for discerning concert guitarists seeking power, nuance, and elegance.
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Video overview

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Dominique Field 2004 No. 165 Classical Guitar Review
You Won’t Believe How Good This Guitar Is! WGM #150 | Friederich, Field, Cadiz, Panhuyzen, Hanika

More details about the guitar

About the luthier

Dominique Field is a highly respected French luthier known for his exceptional classical guitars that blend traditional French craftsmanship with personal innovation. Born in 1954 in Boulogne-Billancourt, Field originally studied law before turning to music, studying classical guitar and solfège in Paris. His passion for guitar making emerged in the mid-1970s, and by 1978 he had opened his first workshop. Influenced by masters such as Hermann Hauser, Robert Bouchet, and Daniel Friederich, Field developed a unique approach to building guitars—emphasizing clarity, lyrical tone, and counterpoint. His close relationship with Robert Bouchet, including stewardship of Bouchet’s workshop notes, deeply shaped his path as a luthier. Field’s instruments have gained international recognition for their power, balance, and elegance, attracting top-tier concert guitarists and collectors worldwide. Starting in 1987, he expanded into the Japanese market and built guitars for prominent players such as Eduardo Isaac, Earl Klugh, and Scott Tennant. Field later moved his workshop to Athens in 2020, but his dedication to handcrafting fine classical guitars remains unchanged. Today, his instruments are not only praised for their sound but are also considered works of art, with long waiting lists from clients around the world.

About the guitar

This outstanding instrument, built in 2004, exemplifies why Dominique Field is considered one of the finest contemporary luthiers. The guitar features a top-grade spruce soundboard and beautifully figured Madagascar rosewood back and sides, with every detail executed with elegance and precision. Sonically, the guitar offers everything expected from a high-end concert instrument: rich, focused basses, singing, sweet trebles, and an expressive, nuanced voice. The trebles have a unique bounciness, adding clarity and dynamic response, which also enhances the instrument’s playability. Instead of a full double-side construction, the sides are reinforced with internal ribs, increasing structural rigidity and contributing to the guitar’s excellent projection. The bracing system on the soundboard consists of five main fan struts and an oblique harmonic bar, a layout reminiscent of a simplified Fleta-style system. Between the soundhole and the bridge, there are also two thin, short braces, positioned between the five main struts. Moreover, a thin bridge plate can also be found. The guitar remains in excellent condition, with only a slight separation near the fingerboard on the treble side—a common and purely cosmetic issue that does not affect the performance or structural integrity. A refined and responsive instrument that reflects Dominique Field’s artistry, making it a compelling choice for the concert stage.

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